Showing posts with label Architectural History. Show all posts
Showing posts with label Architectural History. Show all posts

Saturday, July 07, 2007

Architecture & Preservation in the News

Philip Johnson's Glass House in New Canaan, Connecticut officially opened to the public on June 21. Tickets are pretty much sold out for the forseeable future, but here are a few articles to whet your appetite for this unique site:
A few other recent articles of interest include:
  • The 'Great Love' Of a Collector Of Old Mansions (by Kathryn Matthews, New York Times, July 6, 2007) - about Richard Jenrette and his collection of fantastically restored historic houses, including Edgewater in Barrytown, New York; includes photographs and a multimedia slide show.
  • Alcoholics Anonymous Founder's House Is a Self-Help Landmark (by Lisa A. Foderaro, New York Times, July 6, 2007) - about Stepping Stones, the Westchester County home of Bill and Lois Wilson, founders of Alcoholics Anonymous and Al Anon. The house was listed in the National Register of Historic Places in 2005 and was recently added to New York State's Women's Heritage Trail. Tours are available by appointment, seven days a week. FYI - Stepping Stones is currently seeking an archivist to "continue the work of cataloguing the Wilson's possessions, including the most significant items, now in storage, like the first copy of the Big Book to roll off the press.
  • Restoring the Past to Improve the Future (by Fred A. Bernstein, New York Times, July 1, 2007) - About the rehabilitation of the historic Attucks Theater in Norfolk, Virginia (constructed in 1919, but unused since the 1950s) by the Norfolk Housing and Redevelopment Authority, which has successfuly used New Market Tax Credits to restore the theater and revitalize the surrounding neighborhood.

Monday, May 28, 2007

Forthcoming: A History of the Pentagon

Yesterday's Washington Post included a fascinating excerpt from the forthcoming Random House book, The Pentagon: A History, by Steve Vogel. I have included the first section of the lengthy excerpt here; to read the rest, follow the link at the bottom of this post.

How the Pentagon Got Its Shape

On a warm and rainy Thursday evening in July 1941, inside a War Department office in Washington, a small group of Army officers hastily assembled for a meeting and listened in disbelief to the secret plan outlined by their commander.

The general spoke in the velvety Southern accent of his native Arkansas. He was not in uniform -- Army policy kept officers in civilian clothes so as to disguise from Congress the burgeoning military population in Washington -- but he cut an immaculate figure, with his trim build, combed-back, graying hair and neatly groomed mustache. Over the past eight months, the officers of the Army's Construction Division had grown accustomed to bold and quick action from their chief. At age 49, Brig. Gen. Brehon Burke Somer-vell had earned a reputation as a smooth but ruthless operator. "Dynamite in a Tiffany box" was how an associate later described him. Now Somervell turned his eyes -- "the keenest, shrewdest, most piercing eyes one is likely to meet," in the words of one observer -- toward his chief of design, Lt. Col. Hugh "Pat" J. Casey.

The War Department needed a new headquarters, Somervell said. The building he wanted to create was too big to fit in Washington and would have to go across the Potomac River in Arlington. It would be far larger than all the great structures of the city, including the U.S. Capitol. Somervell wanted a headquarters big enough to hold 40,000 people, with parking for 10,000 cars. It would contain 4 million square feet of office space -- almost twice as much as the Empire State Building. Yet it must be no more than four stories high -- a tall building would obstruct views of Washington and require too much steel, urgently needed for battleships and weapons.

The War Department would occupy the new headquarters within half a year, Somervell instructed. "We want 500,000 square feet ready in six months, and the whole thing ready in a year," the general said. Somervell ended the meeting with orders to have the basic design plans for the building by Monday morning.

Washington was consumed by war anxiety. Three weeks earlier, Adolf Hitler, already in control of much of Europe, had launched a surprise attack on the Soviet Union. President Franklin D. Roose-velt, alarmed by Nazi gains, had declared a national emergency on May 27. The War Department in Washington was growing at an explosive rate, its 24,000 workers spread in 17 buildings, including apartment buildings, private homes and several rented garages. Gen. George C. Marshall, the Army chief of staff, needed a quick solution and turned to Somervell to construct temporary buildings for the headquarters. At a congressional hearing July 17, Rep. Clifton A. Woodrum, a powerful Virginia congressman, signaled interest in finding an "overall solution" to the War Department's problem. Somervell took that as a signal for a permanent fix, and the Pentagon, as it would become known, was launched that evening.

The first problem was where to put it -- "incidentally, the largest office building in the world," Casey later noted dryly. Energetic and experienced, Casey was one of the Army's most brilliant engineers, and he quickly saw big problems with the location Somervell had chosen. Washington-Hoover Airport, at the foot of the 14th Street Bridge in Arlington, had just been replaced with a modern airfield, National Airport, about a mile downriver. Somervell -- eager to win the Virginian's blessing for the project -- had seized upon the old airport site, but the low-lying land, which was subject to flooding, worried Casey.

When Casey asked Somervell whether other sites near the airport might be used, the general did not rule it out. Scanning a map, Casey's practiced eye quickly zeroed in on a 67-acre tract about a half-mile upriver from Washington-Hoover. It was Arlington Farm, just east of Arlington National Cemetery. Like the adjacent cemetery, the land had been part of the grand estate of Robert E. Lee that had been confiscated by Union troops in the spring of 1861 for the defense of Washington. In 1900, Congress transferred 400 acres of the Arlington estate to the Department of Agriculture to use as an experimental farm. In September 1940, Roosevelt approved the return of Arlington Farm to the War Department for use by infantry and cavalry troops at neighboring Fort Myer. Perched on a hill above the Potomac, just below the Lee mansion and overlooking Memorial Bridge, Arlington Farm was one of the most prominent sites in the Washington area.

Late on Friday afternoon, July 18, George Edwin Bergstrom got to work. A formal man with a brusque manner, his dark hair whitening at the temples, Bergstrom was an accomplished and experienced architect, now in charge of the largest project of his long career. He gathered with his assistants at the division headquarters.

Bergstrom led the deliberations. The restrictions were confounding, given the space they needed. The easiest solution, constructing a tall building, was out. They would have to spread out horizontally. But how? A square building that size -- with the enormous interior distances to be covered -- was too unwieldy, as was a rectangle. The Arlington Farm tract had a peculiar asymmetrical pentagon shape bound on five sides by roads or other divisions. Finally, guided by the odd shape of the plot, they designed an irregular pentagon. A sketch by Socrates Thomas Stathes, a young War Department draftsman, showed a square with a corner cut off, more or less matching the tract's shape. It was really two buildings, a five-sided ring surrounding a smaller one of the same shape.

All through the weekend, the architects refined the design. The interior of the outer ring was lined with 49 barracks-like wings, sticking in like the teeth of a comb. The smaller ring had 34 exterior wings, all pointing toward the outer ring. The wings were 50 feet wide and 160 feet long, separated from each other by 30-foot-wide open-air "light courts." Corridors connected the two rings on the ground and third floors. Only the most senior officials would have private offices. Allowing 100 square feet per worker, the building could hold 40,000 employees.

There were many problems with the irregular design. The pattern was awkward, and the routes between wings of the two buildings were circuitous. Lacking symmetry, with rows of wings sticking out, the building was frankly quite ugly. Yet, given the site, the pentagonal design had one overriding virtue, Stathes remembered more than 60 years later: "It fit."

The whole idea seemed nonsensical to Secretary of War Henry L. Stimson. The War Department had just opened a new building the previous month in Foggy Bottom, but it had quickly proven inadequate and too small. How could the War Department propose to build a new headquarters so soon?

Read the full article and find additional information.

Tuesday, April 03, 2007

Orson Squire Fowler and Octagonal Houses

Google Alerts recently included a link to Laura Clementsen's neat article, "Octagon But Not Forgotten: The State's Eight-Sided Antiques" in the Sunday, March 18, 2007 edition of the Hartford Courant about Orson Squire Fowler's octagonal houses in Connecticut. In the article, Clementsen describes how, after reading another article about Fowler's octagonal houses in 1997, she decided to celebrate her birthday by touring around Connecticut to visit and photograph the 18 Fowler houses reportedly in that state. They found 15 of 18, and many are briefly described in Clementsen's article.

Among other accomplishments, Orson Squire Fowler (1809-1887) published "The Octagon House: A Home for All" in 1849 and was the country's "leading authority on phrenology, the supposed science of defining an individual's characteristics by the shape and contours of the head." As Clementsen notes, Fowler believed octagonal houses created more living area, were less expensive to build, had better circulation for heating and cooling, and received more natural light.

I first ran across Fowler and his houses when working on my master's thesis on Thomas Jefferson's octagonal historic house and retreat, Poplar Forest (in Bedford County, Virginia, not far from Lynchburg) many years ago and have always been fascinated by them.

However, I had, for the most part, forgotten Fowler. This article revived my interest and inevitably led to an impromtu Google search, more information and some great sources of information about octagonal and other unusually shaped buildings:

Thursday, March 29, 2007

Kate Mullany House Included in NYS Women's Heritage Trail

The New York State Office of Parks, Recreation and Historic Preservation announced yesterday that the Kate Mullany National Historic Site on 8th Street (just north of Hoosick Street) here in Troy has been included in the newly created New York State Women's Heritage Trail. The Mullany House, which has been designated a National Historic Landmark, is the only site featuring an early trade leader and its inclusion will undoubtedly bring more visitors. Efforts are currently underway to restore the historic three-story house to what it was like when Kate Mullany lived there in the 1870s.

Here's the press release (with minor modifications in formatting):

STATE PARKS UNVEILS WOMEN’S HERITAGE TRAIL
22 Sites Celebrate the History of Women in New York State

(Albany, New York, Tuesday, March 27, 2007 . . . ) New York State Office of Parks, Recreation and Historic Preservation Acting Commissioner Carol Ash today announced creation of the New York State Women’s Heritage Trail designed to highlight the significant contribution of women in the history of New York State. The Heritage Trail is established by Heritage New York, a program within the New York State Office of Parks, Recreation and Historic Preservation.

“New York is home to countless women whose leadership and influence have shaped the history of our state and the future of our nation,” said Ash. “The Women’s Heritage Trail recognizes the significant contributions of these remarkable individuals and will serve as an important educational tool for generations.”

“These world class facilities focus on the daily life, culture and inspirational contributions of women in New York State,” said Ash of the Trail’s 22 designated sites or museums.

Notable sites along the Women’s Heritage Trail include the birthplace of the Women’s Right Movement at Seneca Falls; the homes of key women’s rights proponents such as Susan B. Anthony and Elizabeth Cady Stanton; and other influential women in history, including Harriet Tubman and Eleanor Roosevelt.

“It is fitting for the creation of the Women’s Heritage Trail, a celebration of the contributions of women to our state and national history, to be announced in March during Women’s History Month,” said Rich White-Smith, Director of Heritage New York. “The sites on this trail reveal the depth and diversity of women’s achievements and struggles through history, from nameless immigrants to national leaders.”

The mission of Heritage New York is to preserve, interpret and celebrate the many important events, places and people associated with the state’s history through a series of Heritage Trails based on significant historical themes. Heritage Trails include the Revolutionary War, the Underground Railroad and the Theodore Roosevelt. For more information on New York State Heritage Trails, visit www.HeritageNY.gov.

“By establishing this heritage trail linking the state’s remarkable landmarks, we are highlighting New York State’s unique role in advancing the cause of women’s rights, as well as emphasizing the important contributions of individual women in our nation’s history,” said Ash. “I invite all New Yorker’s to visit these sites and continue to learn about our history and all these facilities have to offer.”

The 22 New York State Women’s Heritage Trail sites include:
  • Matilda Joslyn Gage Home (Fayetteville);
  • Johnson Hall State Historic Site (Johnstown);
  • Marcella Sembrich Opera Museum (Bolton Landing);
  • Constitution Island-Warner House (Cold Spring);
  • Lucille Ball-Desi Arnaz Museum (Jamestown);
  • Susan B. Anthony House (Rochester);
  • Alice Austen House Museum (State Island);
  • National Women’s Hall of Fame (Seneca Falls);
  • Letchworth Museum & Council Grounds (Castile);
  • Eleanor Roosevelt National Historic Site (Hyde Park);
  • Historic Cherry Hill (Albany);
  • Harriet Tubman Home (Auburn);
  • Wilderstein Historic Site (Rhinebeck);
  • Howland Stone Store Museum (Sherwood);
  • Watervliet Shaker Historic District (Colonie);
  • Ganondagan State Historic Site (Victor);
  • Weeksville Heritage Center (Brooklyn);
  • Lower East Side Tenement Museum (New York);
  • Women’s Rights National Historical Park (Seneca Falls);
  • Edna St. Vincent Millay’s Steepletop House (Austerlitz);
  • Kate Mullany National History Site (Troy); and
  • Shaker Museum and Library (Old Chatham).
The Kate Mullany House is also included in the National Register of Historic Places Travel Itinerary, "Places Where Women Made History." This itinerary includes 74 sites in New York and Massachussets, and offers the following background history:

Kate Mullany (c. 1845-1906) House

This modest three-story brick house is the only surviving building associated with Kate Mullany, a young Irish immigrant laundry worker who in 1864 organized and led the all-female "Collar Laundry Union" labor union. Even though the women laborers of Lowell, Massachusetts and elsewhere had been organizing unions to protest working conditions and wages since the 1840s, early women's unions often only lasted as long as the particular issue under debate. The Collar Laundry Union, unlike so many other unions, remained an organized force in the industries of Troy, New York more than five years after its inception. The origins of Kate Mullany's union date back to the 1820s, when entrepreneurs established the nation's first commercial laundry in Troy to wash, starch, and iron a local invention, the "detachable collar." By the 1860s, Troy supplied most of America's detachable collars and cuffs, employing over 3,700 women launderers, starchers, and ironers. Working 14 hour days for $2 a week, the women launderers labored in oppressive heat. When owners introduced new machinery that increased production, but worsened working conditions, a young woman named Kate Mullany organized a union to demand change. In February of 1864, Mullany and 200 other workers formed the Collar Laundry Union. The well organized union struck and demanded a 25 cent raise, and the laundry owners capitulated a week after the strike began. The Collar Laundry Union remained active in Troy, often assisting other unions, and even attempted to establish an employee cooperative. Mullany herself gained national recognition in 1868, when National Labor Union President William Sylvis made her the first female appointed to a labor union's national office. One of the American labor movement's earliest women leaders, the home of Kate Mullany exemplifies a strong tradition of women's union activity. The property is not open to the public.

For additional background information, please see:
  • Carole Turbin's book, Working Women of the Collar City.
  • Then First Lady Hillary Rodham Clinton's July 15, 1998 remarks in front of the Kate Mullany house as part of her Save America's Treasures tour.


Friday, March 23, 2007

Preserving the Recent Past - Buildings of Paul Rudolph

Modern architect Paul Rudolph's buildings have been in the news a lot lately. There was a flurry of activity surrounding the recent demolition of a Rudolph-designed house in Westport, Connecticut a month or so ago, as well as the threatened demolition of the Blue Cross/Blue Shield building in Boston, Massachusetts (to make room for a new 80-foot tower) and Riverview Highschool in Sarasota, Florida.

Today's New York Times continues this trend, with A Road Trip Back to the Future, Fred A. Bernstein's interesting, well-illustrated, and meaty article describing his recent tour of Rudolph buildings in Massachusetts, Connecticut, and New Jersey, including the Orange County Government Center in Goshen, NY; University of Massachusetts' Dartmouth Campus, where "two vast, twisting [concrete] buildings circle a campanile;" Jewett Art Center at Wellesley College; the Government Service Building, First Church, and the Blue Cross/Blue Shield Building in Boston, Massachusetts; Yale Art and Architecture Building in New Haven, Connecticut; and Tracey Towers in New York City. A slide show of the buildings is included.

In the Arts Briefly column, today's Times also reports that Boston's Landmarks Commission imposed a 90-day demolition delay on the Blue Cross/Blue Sheild Building on March 13, 2007, and that architect Renzo Piano has withdrawn from the project to build the 80-story tower on the building's site. The Times reports that the project's developer said that "the Boston firm CBT Architects intended to 'implement Piano's design, making appropriate refinements as needed during the design review process.'"

To review many more recent New York Times articles about Paul Rudolph and his architecture, click here to visit the Times Topic link.